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If only every view was like this!
Paul Edwards on Ronin
Mark Mcquoid in London
Ossie Mclean, was he the `Last Man`
Luke Redgrave not so `Miserables`
It's not so Grimm, Brothers!
Paul Edwards - `Misfits` can walk on water
Tony Jackson looking for `Eragon`
Cosmo Campbell chased by a Seat Leon
Rodrigo Gutierrez as a freezing `Centurion`
Juan Ramos on the goal line
Robert Shipsey taking `Last Orders`
Peter Cavaciuti in 'Skyfall'
Operator on his Throne
Operators Award-TV Drama
Operators Award-TV Drama 21/10/2016
Voting now open
Operating Masterclass
Operating Masterclass 21/09/2016
BAFTA Crew / ACO Operating Masterclass
ACO Newsletter
ACO Newsletter 12/09/2016
September 2016
Spotlight - Suicide Squad
Spotlight - Suicide Squad 08/09/2016
Article by Peter Rosenfeld ACO,SOC
ACO Newsletter
ACO Newsletter 01/09/2016
August 2016
Dubin/Haarhoff Q&A Event
Dubin/Haarhoff Q&A Event 23/08/2016
Mitch Dubin & Chris Haarhoff special Q&A Event
Shooting `Les Mis`
Shooting `Les Mis` 04/08/2016
A piece about how `Les Miserables` was shot
ACO Newsletter
ACO Newsletter 31/07/2016
July 2016
Operator`s Awards 2011-2015
Operator`s Awards 2011-2015 23/07/2016
BSC/ACO/GBCT Operator`s Awards Nominees & Winners
ACO Newsletter
ACO Newsletter 30/06/2016
June 2016
New Panavision 8k Camera
New Panavision 8k Camera 01/06/2016
The new Panavision Digital Camera has appeared at the ASC
BAFTA Guru Roundtable
BAFTA Guru Roundtable 14/05/2016
BAFTA Guru Roundtable
BAFTA Breakthrough Brits
BAFTA Breakthrough Brits 14/05/2016
BAFTA Breakthrough Brits - entries

TESTIMONIAL from...  Peter Hannan ACS BSC
"I think it is an important job to keep going. It`s not just moving the handles, that`s the easy bit-it`s the storytelling."
TESTIMONIAL from...  Doug Liman, Director
"I`ve shot elsewhere in Europe, and my experience has been that when you need a specialist you fly someone in from England."
TESTIMONIAL from...  David Suchet CBE
"Actors, of course differ, but I find that a good operator is really important to me. "
TESTIMONIAL from...  Don Burgess ASC
"Its better for the film and production to have one person focused on operating and the other on the job of the DP. There is nothing more beautiful than a perfectly operated shot."
TESTIMONIAL from...  Wolfgang Suschitzky, Cinematographer
"`You can`t make a good film without a good operator.` (at Operators Night 2012, at the age of 100!)"
TESTIMONIAL from...  John Moore, Director
"Every director worth his salt believes his life depends on his telling the story properly: that`s why I put mine in the hands of the operator."
TESTIMONIAL from...  Alexander Witt Director/DoP
"Having my camera operator allows me the time and space to concentrate on the look of the scene. Schedule-related pressures mean that I am not detracted from lighting while my operator can deal with the mechanics of the shot."
TESTIMONIAL from...  Andy Wilson, Director
"In the end an Operator is the eye that sees what the camera sees and can point out mistakes or opportunities for improvement that nobody else notices. This is invaluable."
TESTIMONIAL from...  Joe Wright, Director
"I`ve worked with a camera operator on every production since my first feature film. I would certainly not want to work without one."
TESTIMONIAL from...  Shelly Johnson, ASC
"...great films are hand made by no one individual, but a talented group that bring their spirit to the screen."
TESTIMONIAL from...  Philippe Rousselot, AFC, ASC
"Operators are human, (most of them), therefore they come with experience, knowledge, and craftsmanship. They are part of the machine of filmmaking, its physical, as well as its thinking process."


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The ACO - Clips and Trailers





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